Some bags are designed to disappear politely into an outfit. This Louis Vuitton Pink Antigua Cabas MM Tote Bag has absolutely no intention of doing so. Saturated in an exuberant shade of vivid pink, it captures that delicious intersection of luxury and playfulness that turns an everyday accessory into a statement.

The structured canvas body is punctuated by contrasting deeper pink straps, meticulous yellow stitching and a procession of polished gold-tone studs. At its centre sits the unmistakable Louis Vuitton plaque - a gleaming signature that gives the otherwise relaxed canvas construction an unexpected jewellery-like flourish. Long handles lend the bag an effortless practicality, while its generous proportions make it as useful as it is visually irresistible.

What makes this piece particularly appealing is its attitude. It is Louis Vuitton without the predictable monogram, replacing familiar brown canvas with unapologetic colour and a distinctly early-2000s sense of fun. Pair it with denim and a white shirt, clash it with tailoring, or simply let the pink do all the talking.

Bold, practical and wonderfully unconventional, this is Louis Vuitton for someone who understands that luxury should occasionally come with a sense of humour - and preferably in shocking pink.

An intriguing piece of mid-century watchmaking, carrying the Hermès name - but offered with its history stated exactly as we know it.

Some vintage watches arrive with immaculate archives, original invoices and a perfectly documented journey through the decades. Others come with a little mystery. This is one of them. This elegant mid-century Swiss manual-winding wristwatch combines beautifully restrained proportions with a distinctive rectangular gold-plated case and elegant white dial. Applied gold-tone numerals and hour markers, slender hands and a traditional subsidiary seconds dial at six o’clock give the watch a wonderfully balanced, architectural appearance.

There is a distinct mid-century modernist quality to the design. Nothing is excessive. The unusual numerals at 12, 3 and 9, together with the fine baton markers and generous amount of open space on the dial, create a watch that feels sophisticated without being ostentatious.

Inside is a traditional Swiss manual-winding movement signed “HERMÈS.” The dial itself is prominently signed “HERMÈS PARIS” and “SWISS MADE.” Nevertheless, we have been unable to locate sufficient archival or independent reference material to conclusively establish that this particular combination of case, dial and movement was originally retailed by Hermès. For that reason, we prefer transparency to inventing provenance.

The gold-plated watch is offered as a vintage Swiss manual-wind watch, apparently or possibly retailed by Hermès, with the authenticity of the Hermès attribution unverified. The Hermès signatures should therefore not be interpreted as our guarantee that the complete watch was originally manufactured, commissioned or retailed by Hermès. The white dial has been carefully restored, preserving its elegant period appearance while presenting beautifully with crisp detailing. A new acrylic crystal and new crown have also been fitted. These interventions are disclosed as part of the watch's present condition and history.

Regardless of attribution, it remains an exceptionally attractive vintage watch. The rectangular case, wonderfully restrained white dial and mechanical simplicity capture an era when elegance was achieved through proportion rather than excess.

Details: Gold-plated vintage Swiss wristwatch · Mid-20th century style · Manual-winding movement · Movement signed “HERMÈS” · White dial signed “HERMÈS PARIS” and “SWISS MADE” · Gold-plated case · Subsidiary seconds · Restored dial · New acrylic crystal · New crown · Hermès attribution unverified.

Buy it for its design, mechanical charm and unmistakable mid-century character - and consider the Hermès signatures an intriguing part of its story rather than a provenance we cannot independently substantiate.

Some handbags become famous because they are launched with a campaign. Others become icons because an extraordinary woman simply refuses to stop carrying them. This beautiful 1990s Gucci tote belongs firmly to the latter category. Crafted in sumptuous deep blue suede, framed with matching leather and finished with Gucci’s unmistakable bamboo handles, it represents one of the most elegant chapters in the Italian house’s design history.

The silhouette has become closely associated with Diana, Princess of Wales, who was repeatedly photographed carrying her own Gucci bamboo-handled tote during the 1990s. Her version became such a recognisable part of her off-duty wardrobe that the design is widely associated with her and ultimately inspired Gucci’s modern Gucci Diana line. And it is easy to understand the attraction.

There is an effortless sophistication to the original design. The generous rectangular body is wonderfully simple, allowing the materials to provide the drama. Rich blue suede gives the bag an almost velvety depth, while the structured leather edging provides definition and contrast. Then come those extraordinary natural bamboo handles - it is recognisably Gucci without relying on monograms or oversized branding. Those who know the design will recognise it immediately; those who don't will simply see an exceptionally stylish vintage bag. The rich navy-blue colouring also gives this example a particularly sophisticated character, beautifully complemented by the honeyed tones of the bamboo.

More than three decades later, the design feels remarkably contemporary. Its clean proportions, generous size and restrained detailing make it as convincing with denim and a white shirt as with tailoring, cashmere or an evening ensemble. And unlike a modern reinterpretation, this is the real vintage article from the era that created the legend.  

For collectors of vintage Gucci, admirers of Princess Diana's style, or simply someone looking for a luxury handbag with a story considerably more interesting than this season's latest release, this is a wonderfully evocative find.

1990s Gucci. Blue suede. Bamboo handles. The interior has been carefully cleaned and professionally refreshed, with the deteriorated and flaking surface of the original lining removed. This is a common age-related characteristic of vintage bags from this period and, once treated, leaves the interior considerably cleaner and more practical for everyday use.

Rather than disguising its age, the treatment allows the bag to be used and enjoyed again as intended. The interior now presents in a clean and admirable vintage condition, while the exterior retains the wonderful character, patina and authenticity accumulated over more than three decades.

The result is not a museum piece that needs to be handled with gloves, but something arguably much more appealing: a genuine 1990s Gucci Diana that is ready for its next chapter - and ready to be carried. The interior has been professionally refreshed and, where necessary- a discreet restoration that allows this exceptional vintage piece to be enjoyed exactly as it should be.

Some watches tell the time. Others tell the world exactly who you are.

Introduced at the beginning of the 21st century, the Louis Vuitton Tambour challenged the conventions of Swiss watchmaking with unmistakable Parisian confidence. Instantly recognisable by its sculptural drum-shaped case, bold typography and refined proportions, the Tambour has become one of the Maison's most iconic creations - a watch that effortlessly bridges haute horlogerie and high fashion.

This particularly rare Tambour Q1211 takes that philosophy one step further. Presented on Louis Vuitton's instantly recognisable Monogram canvas bracelet, trimmed with natural Vachetta leather, it transforms an already distinctive timepiece into a wearable work of art. The bracelet is more than a strap.

The deep navy dial creates a sophisticated contrast against the polished stainless-steel case, while oversized Arabic numerals, luminous hands and the Maison's characteristic yellow seconds hand lend the watch a confident yet playful personality. Every detail is purposeful, every line unmistakably Louis Vuitton.

Rarely encountered on its original Louis Vuitton Monogram bracelet, this Q1211 represents far more than a luxury watch. It is a collector's piece, a design icon and an unmistakable expression of contemporary style. Confident without excess, distinctive without compromise, it embodies the spirit of modern Louis Vuitton: adventurous, elegant and impossible to overlook. Some accessories complete an outfit. This one becomes the conversation.

AUD 2,150.00

Extraordinary colour, sculptural design and more than 27 carats of natural tanzanite.

These spectacular earrings are built around a pair of natural tanzanites with an impressive combined weight of approximately 27.12 carats. Their captivating blue-violet colour - the unmistakable signature of tanzanite - creates an immediate sense of drama, changing subtly in character as the stones catch the light. Rather than surrounding the gemstones with a conventional setting, the tanzanites are held within an elegant, almost architectural 14-carat yellow-gold cage. The sweeping lines of polished gold embrace the stones while leaving much of their surface exposed, creating a wonderfully distinctive design that feels both luxurious and contemporary.

Adding a discreet touch of brilliance are two natural diamonds, with a combined weight of approximately 0.11 carat, graded G–H colour and I1 clarity. They provide just enough sparkle without distracting from the magnificent tanzanites, which quite rightly remain the stars of the show.

The earrings have a substantial combined weight of 9.06 grams, giving them the reassuring presence expected of fine gold jewellery.

Details: Natural Tanzanites approx. 27.12 ct total · 2 Natural Diamonds approx. 0.11 ct total · Diamond colour G–H · Clarity I1 · 14ct Yellow Gold · Total weight approx. 9.06 g.

POA. Valuation report availabe (AUD 26,590.00 replacement valuation)

This distinctive cross pendant is crafted in 18-carat yellow gold and set with six natural Colombian emeralds in an elegant baguette cut. Their vivid, deep green tones create a striking contrast against the warmth and richness of the yellow gold, giving the piece an unmistakable presence while retaining a sense of refined elegance.

The combination of emerald and yellow gold has been admired for centuries, and here it gives the pendant an almost historical richness. Yet its strong proportions and graphic construction prevent it from feeling overly traditional.

It is precisely this tension between antique-inspired ornamentation and modern sculptural design that gives the cross its particular character.

More than simply a religious symbol, this is a beautifully decorative piece of jewellery in its own right - rich in colour, texture and architectural detail, with the extraordinary green of Colombian emeralds bringing the entire composition to life. It can be worn simply on a fine yellow-gold chain, paired with a more substantial chain for greater impact, or incorporated into a layered arrangement with other treasured pendants.

Details: 18ct Yellow Gold · 6 Natural Colombian Emeralds · Baguette Cut · Approx. dimensions 4.0 × 2.4 cm including bail · Approx. weight 2.56 g

This enchanting Toi et Moi ring, dating to approximately 1920, captures one of the most romantic designs in antique jewellery. Meaning “You and Me” in French, the Toi et Moi style brings two stones together in a single composition - a design traditionally associated with two people, two lives and the bond between them.

At its heart are two wonderful old mine-cut diamonds. Unlike the mathematical precision of modern brilliant cuts, old mine-cut diamonds were shaped individually by hand. Their distinctive proportions and character create a softer, more romantic play of light - less about clinical perfection and more about the warm, flickering brilliance that makes antique diamonds so desirable.

The diamonds are presented in platinum settings, a characteristic and highly prized feature of fine jewellery from early 20th-century period. The cool white platinum visually disappears around the stones, allowing their brilliance to take centre stage, while the elegant 14-carat yellow-gold band provides a subtle warmth and contrast.

At approximately 2.40 grams, the ring is refined and beautifully wearable, with all the charm and individuality that comes from a piece created more than a century ago.

Details: Circa 1920 · early 20th century · Toi et Moi design · Two old mine-cut diamonds, ca. 0.45 ct in total · Platinum diamond settings · 14ct yellow gold · Approx. weight 2.40 g · Ring size EU 49 / UK J / US 5.

Not merely an antique diamond ring, but a century-old expression of “You and Me” — intimate, romantic and wonderfully timeless.

There is something wonderfully personal about a coin bracelet. Unlike conventional jewellery, it feels collected rather than simply made - a small assembly of history intended to move, shimmer and tell its story on the wrist.

This unusual vintage bracelet is marked 800 silver and features a beautifully simple rigid circular band from which four individual coin charms are suspended. Each coin is different in size and design, giving the piece the wonderfully eclectic character associated with jewellery assembled from objects gathered over time.

The restrained silver band is an important counterpoint to the richness of the coins. Rather than competing with them, its clean, almost modernist simplicity allows each pendant to remain individually visible. The naturally developed patina further emphasises the relief and lettering, giving the bracelet the unmistakable character that only age can produce.

Coin jewellery has appeared repeatedly throughout European fashion history, particularly during periods when travellers transformed foreign coins and souvenirs into highly personal pieces of jewellery. This bracelet captures exactly that spirit: part adornment, part curiosity cabinet and part historical souvenir.

Worn alone, it is already a statement. Combined with a watch or other silver bracelets, it becomes wonderfully unconventional - equally at home with denim and a white shirt as it is against the sleeve of a black evening jacket.

A distinctive vintage silver bracelet, marked 835, with four individually suspended coin charms - wonderfully imperfect, rich in patina and character, and made for someone who prefers jewellery with a story rather than jewellery that simply sparkles.

AUD 480.00

There are handbags that complete an outfit, and then there are handbags that become the outfit. This striking Louis Vuitton Reade MM, crafted in brilliant red Monogram Vernis, belongs firmly in the latter category. Glossy, architectural and wonderfully unapologetic, it captures a moment in fashion when luxury rediscovered colour, glamour and the sheer pleasure of being noticed.

Introduced during the celebrated Marc Jacobs era at Louis Vuitton, the Reade is one of those deceptively simple designs that allows the material to take centre stage. Its tall, beautifully proportioned tote silhouette is covered in Louis Vuitton’s unmistakable Monogram Vernis, the Maison’s legendary LV initials and floral motifs embossed directly into the high-gloss surface. In this intense lacquered red, the effect is almost liquid: light moves across the bag, revealing the monogram differently from every angle. The vivid Vernis body is contrasted beautifully by the bag’s natural Vachetta leather handles, secured with traditional gold-tone Louis Vuitton hardware and finished with precise tonal stitching. Over time, the untreated leather develops the characteristic honey-coloured patina so closely associated with vintage Louis Vuitton, providing an increasingly warm contrast against the dramatic red body.

What makes the Reade particularly appealing today is how contemporary it suddenly feels again. The clean geometry, relatively restrained branding and extraordinary glossy finish sit perfectly within the renewed fascination with late-1990s and early-2000s fashion. Yet unlike many pieces associated with the Y2K revival, the Reade never feels like a novelty. Its shape is too elegant, its construction too considered and its visual identity far too distinctly Louis Vuitton.

The Reade MM also represents an increasingly collectible chapter in Louis Vuitton’s modern history. The Marc Jacobs years transformed the Maison, taking its extraordinary heritage in luggage and leather goods and injecting it with fashion, colour and a new sense of cultural relevance. Monogram Vernis became one of the signatures of that transformation, and pieces such as this Reade are now wonderfully evocative reminders of the period.

As a vintage piece, it carries something that a brand-new bag simply cannot manufacture: character. The natural development of the Vachetta, the reflections across the Vernis and the subtle traces of a previous life are all part of its appeal. It is unmistakably luxurious without being precious, recognisable without relying on oversized logos, and glamorous without taking itself too seriously.

For the Louis Vuitton collector, the lover of Y2K fashion, or simply someone searching for a handbag with genuine presence, this red Reade MM is a fabulous find.

There are accessories, and then there are those wonderfully extravagant little objects that make everyday rituals feel infinitely more glamorous. This Louis Vuitton Monogram lipstick case belongs firmly in the latter category.

Crafted in Louis Vuitton’s instantly recognisable Monogram canvas, the cylindrical case transforms the humble lipstick holder into a miniature piece of luxury luggage. Rich brown coated canvas is framed by gleaming gold-tone metal hardware, while the beautifully elaborate central clasp gives the piece the character of a tiny vintage vanity trunk. Even the lid is finished with an elegant LV detail, making the case striking from every angle.

Compact yet wonderfully decorative, it captures everything collectors love about Louis Vuitton: meticulous detailing, unmistakable design and a certain Parisian sense of theatre. It is an object designed not merely to serve a purpose, but to make that purpose rather fabulous.

Whether displayed alongside a collection of vintage Louis Vuitton, carried as an exceptionally chic beauty accessory or simply treasured as a fascinating piece of fashion history, this lipstick case has irresistible charm.

Small in scale, unmistakably Louis Vuitton - and proof that true luxury is often found in the details.